Let’s just take a moment to appreciate this.
They’re starry eyed, attractively geeky and downright infectious. Let’s forgive them for being featured on the O.C.’s soundtrack in 2004 because I’ve tried my hardest to forget that.
The Texas-based alternative rock group has released their seventh studio album Transference, a follow-up from their acclaimed 2007 album Ga Ga Ga Ga Ga. While their trademark sound is typically pared down, simple beats and catchy guitar-heavy riffs, Transference points to something a little more complex — the introjection of a misdirected feeling at someone or something. Maybe the boys are growing up.
Here’s a taste of the new record, released by Merge Records. Enjoi.
An eye-popping delight for the indie-experimental lover.
I don’t think I’ve seen a decent music video since the 1990s. I believe the last “good” one would either be Radiohead’s “Just” (1995) or “Californication” by the Red Hot Chilli Peppers in 1999. A music video that doesn’t detract from the beauty of the song itself is a fine balance most bands and video directors bludgeon with a club.
This time, leave it to the Danish to make something interesting, beautiful and haunting. Oh No Ono is an alternative experimental space-rock band from Copenhagen. Their fourth album Eggs hit the shelves this week. The single “Swim” is delicately layered, with chorus singing and complex instrumental passages reminiscent of the Arcade Fire. Part eerie, part intriguing, the song is unforgettable.
The video, directed by fellow Dane Adam Hashemi, is a sweet coming-of-age story about an over-imaginative and aroused child. It’s about the shame of the first sexual experience, from the perspective of a creepy pre-pubescent boy. Like I said, I was surprised to find a music video that I would enjoy again!
October 15 2009
Polaris-nominated experimental alt-rocker Chad Vangaalen made hundred of hipsters swoon last night at the Rio Theatre on Commercial Drive.
Playing an intimate set in quasi-candlelight, Vangaalen delivered his usual, hauntingly beautiful vocal talents reminiscent of a younger, more optimistic Neil Young. Clad in a vintage 1970s outfit, complete with flared pants and a moorlock-styled mop of a wig, the singer songwriter played songs mostly from his critically acclaimed album Soft Airplane, which has become somewhat of a modern classic to those who favour poetic contemplations of death, decay and the sweetness of the human condition.
Highlights included an energetic, distorted performance of “Inside the Molecule,” an homage to grungy guitar rock of the 1990s, typified by the image of the lazy teenager rising “early in the afternoon.”
He finished the set with an eerie but sedating performance of “Molten Light,” which has been dubbed creepy and morbid by some, and sentimental and poetic by others. All in all, it was a beautiful show.
Check out his video for “Molten Light,” which Vangaalen animated himself.